Trilian’s 34GB library is 10-times the size of Trilogy and features all new acoustic, electric and synth basses. There are a lot of cool possibilities with layering the three Spectrasonics instruments, but I am too impatient to explore them fully. Trilian is the successor to Spectrasonics’ award-winning Trilogy bass instrument, offering deeper control of musical expression and much greater flexibility of sound shaping. Same thing with loading Keyscape patches within Omnisphere. I hate clicking on a patch and not realizing it's a Trilian patch until it becomes obvious when the "loading" progress bar takes forever. Trilian's integration with Omnisphere is kinda OK. If I'm going to feature the bass prominently with lots of articulations, I'll usually fall back to one of my old Kontakt-based favorites such as Orange Tree Samples' awesome Rickenbacker. Second, it's not as easy to program as a good Kontakt library. First, the samples are huge and take a long time to load. But still can't get excited about the synth stuff. There is an instrument called Hardcore that I really like for heavier genres. However, after a couple years with Trilian under my belt, I find I'm using it more and more, and not just the acoustic basses that I originally got it for. I also didn't care that I could pull up Trilian patches in Omnisphere. I wasn't at all interested in the synth basses it offers, as Zebra can perform that duty much more efficiently. I bought Trilian only because I lacked a good acoustic bass.
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